Since most of the Victorian era stories were written by men, we usually see the seduction from the male point of view. One can only imagine what she needed or wanted before he came in. That is, until Anais Nin, whose sensual stories are among the most beautiful seductions ever written from a female’s point of view.

As the reader we see the protagonist find and then exploit each situation. Not merely to satisfy his lust, but because there is sensual desire, to add to hers as well. Naturally, we can’t help but relate to one or more of the characters.

And by relating, we arouse that part of our subconscious. By imagining the sensations that we’re reading about, we end up using our creative imagination, and inspire a story from our sensory memory.

Sensory memory awakened, you consider, ‘how would I react to this sensual dance, this tantalizing material or this sensual lover? The handy and familiar use of sexual and sensual paraphernalia are the tools of seduction. A candle, feather, romance lingerie, are meant specifically and deliberately meant for the enjoyment of the flesh.

All of the flesh, that is. Not just the standard “big three” of mouth, breast and crotch.

When that playfulness translates into sexual play, that can be our most fulfilling playtime of all. If you keep in mind that foreplay is essential to our need for fun, you’ll be able to write your own book of sensual stories.

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